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Dark Ages. Medieval art. Illuminated Manuscripts..

Illuminated Manuscripts

The Lindisfarne Gospels

lindisfarne gospel

Dating to the 7th century, the Lindisfarne Gospels were painted in a monastery on a lonely island outpost of the same name, located off the northeast coast of England. Twisted abstract shapes that took like crazy letters, are actually human and animal forms and letters inter-twined. The image above is taken from the first page from the Gospel of Matthew. It is beautifully embellished with tracery, rhombuses, crosses, with imagery of human heads, animals, plants in a lively display of colors.

The Book Of Kells

This 8 th century book is 41cmx 30cm in size and is made up of thousands of intricately ornate lines drawn on vellum with a pen nib as thin as a human hair. The forms are made up of circles and shapes of every kind, with drawings of dozens of tiny abstract animal figures cramped into an intricate mesh. Most full page illumination forms large initials that begin the first word of one of the holy Gospels.
Book of Kells - Illumination of the Chi Rho Page
Book of Kells - Illumination of the Chi Rho Page Poster
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The Carolingan Illuminated Manuscripts

At around 783 Ad, the Court School of Charlemange in Aarchen became active in creating manuscripts, establishing 'scriptoriums'. Texts of the Gospels were embellished with portraits of the four evangelists. Each book of the Gospels included four ornamented text columns, concluding with a likeness of the Evangelist writer of that Gospel. The political role of these texts was significant during the rule Charlemangne.
Early Carolingan manuscripts, includ the Godescalc Evangelistary (781–783); the Lorsch Gospels (778–820); the Ada Gospels; the Soissons Gospels; and the Coronation Gospels.
Around the middle of the 9th century, Archbishop Ebo of Rheims had artists create the Gospel Book of Ebo. The painting style is different in its swift strokes wich gave a fresh look to the art. Other books created include the Utrecht Psalter, which is the most important body of work. In later works the illustrations of the manuscripts expanded to include themes from the entire Bible. Notable piece of work is the Grandaval Bible, created at the Monastery of Tours.

St. John the Evangelist, Commissioned by Ebbo, Archbishop of Reims
St. John the Evangelist, Commissioned by Ebbo, Archbishop of Reims Giclee Print
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St. Luke, Commissioned by Ebbo, Archbishop of Reims
St. Luke, Commissioned by Ebbo, Archbishop of Reims Giclee Print
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St. Matthew, Commissioned by Ebbo, Archbishop of Reims
St. Matthew, Commissioned by Ebbo, Archbishop of Reims Giclee Print
French School
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Gospel of Ebbo, Archbishop of Reims, From the Monastery F Hautevilliers, Before 823
Gospel of Ebbo, Archbishop of Reims, From the Monastery F Hautevilliers, Before 823 Giclee Print
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Other Illuminated Manuscripts of 900-1050

The period 970-1020, under the Holy Roman Emperors Otto I, II and III, scribes in Monasteries in Trier, Reichenbach, Cologne, Regensburg produced pictures of guided scenes symbolizing Divine power through the glow of gold.

Holy Roman Emperor Otto III Enthroned, Accompanied on His Left by Two Clerics
Holy Roman Emperor Otto III Enthroned, Accompanied on His Left by Two Clerics Giclee Print
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Emperor Otto III Holy Roman Emperor (983-1002) Son of Otto II
Emperor Otto III Holy Roman Emperor (983-1002) Son of Otto II Giclee Print
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Evangelair of Otto III: Gifts to the Emperor
Evangelair of Otto III: Gifts to the Emperor Giclee Print
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Pentecost, from the Winchester Pontifical, 10th-11th Century
Pentecost, from the Winchester Pontifical, 10th-11th Century Giclee Print
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Impressive Manuscripts were produced in Winchester England at the same period. Notably the Benedictional of St. AEthelwold.
Illuminations from Northern Spain were influenced by Islamic Art and features apocalyptic images which are exotically multicolored.
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